Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found from 1795.
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi and the prominent, more independent use of wind instruments. Sketches for the finale are found among the exercises Beethoven wrote while studying counterpoint under Johann Georg Albrechtsberger in the spring of 1797.
The Savage album returned Eurythmics to a more electronic sound and the "Beethoven" vocals are performed mostly as spoken-word from Lennox, with the exception of the repeated phrase "I love to" throughout the track.
7": RCA (UK, GER, FR, SP, AUS)
"Beethoven (I Love To Listen To)" (7" Edit) – 3:59
"Heaven" (LP Version) – 3:24
12": RCA (UK, GER, FR, SP, AUS)
"Beethoven (I Love To Listen To)" (Dance Mix) – 5:18
"Heaven" (LP Version) – 3:24
"Beethoven (I Love To Listen To)" (LP Version) – 4:48
Beethoven is a dog, who was first discovered by Emily Newton in her bedroom one morning. The whole family is soon introduced to the St. Bernard; however, the father George Newton has his moments with Beethoven, who ends up into different mishaps time after time. When not with the Newton family, Beethoven interacts with his puppies, or with animals outside of the house.
Unlike the movie, Beethoven could talk, at least among the other animals; incidentally he would also talk in the 2011 direct-to-video film, Beethoven's Christmas Adventure. The same plot was used in another animated series Free Willy, where the main character also could talk. Some of the music was used for the DIC cartoon, What-a-Mess.
"Carry You" was released as the album's first single in June 2013 and reached number-six in the United Kingdom, marking the group's first top ten track. In September 2013, the band confirmed their second single would be "Beautiful Life". It was released on 21 October, preceding the release of their debut studio-album by one week. The third single was "Loving You Is Easy" which charted at number 9 in Ireland, and charted in the lower regions of the UK Singles Chart.
Union J promoted the album by embarking on their first headlining tour, the Magazines + TV Screens Tour, throughout December 2013 and January 2014, in support of their first record release.
Background and production
During a performance in Cardiff on 15 December 2012, Union J announced that they had signed a recording contract with Sony Music. On 28 January 2013, it was revealed that the record label was that of sub-division RCA Records and that the group would be releasing their debut single in June. On 14 January, it was announced that Union J were in London recording their debut single that day. On 12 January 2013, the band announced news of recording their debut single via Twitter: "Recording or first single on Monday! So sorry Belfast but we have to change the gig date, things are moving so fast for us! We'll be back! X". On 22 April, it was revealed that Union J's debut single "Carry You" would be released on 2 June.
Pianist Lim Yun-chan plays piano during a press conference held to promote his live performance album "Beethoven·Isangyun·Barber" at KumhoArtHall Yonsei in Seoul, Nov ...Korean piano prodigy Lim Yunchan said Monday he wanted to deliver Beethoven's utopia through the composer's No.
“Just as there is only one violin concerto by Beethoven, we have only this one planet whose boundaries we disregard so much that climate-related disasters are becoming more frequent and deadly,” one of the activists said, according to the Hamburger Abendblatt.
From Beethoven to Berlioz, Split Enz to Stravinsky, the music crosses centuries and the choices are revelatory. In our first episode, Dame Pasty Reddy talks about the enduring power of Beethoven's Symphony #9 and NZSO conductor Gemma New explains why the symphony packs such an unforgettable emotional punch.